Always listen to make sure they sound the right distance apart.ģ is just before the bell, and 4 is just past the bell. Keep it closer to 1 to help you find it better. 2 is often played longer on the slide than it should be. Here are the trombone position groupings:ġ is in all the way in and easy to find, so think of 2 as next to 1. This way you can compare each one to its partner, making it easier to find your positions quickly and more accurately on the slide. When learning your trombone positions, rather than think of them as 7 separate positions, it is helpful to think of them in groupings. The best result I get when I use the trigger in the beginning, but I think I do rather well on the final combination on the seventh position.The trombone has 7 positions: First, Second, Third, Fourth, Fifth, Sixth, Seventh or 1, 2, 3, 4, 5, 6, 7. I play the notes using only the seventh position and no trigger involved. On a straight trombone this needs fast changes between the first and the seventh position. I alternate with the regular C in sixth position.įinally I changed the pattern somewhat and played Cb instead of a C. That is a "down-lipped" or bended Bb in seventh. Thats when I play both Bb and C in 6th position.įourth time I start the 16th notes series with a Bb on the seventh position. Third time I try to remove the fast slide movements with a factitious note for Bb in sixth position. Second time i play the Bb in first and the C in sixth which is hard, and needs a fast slide. I use the trigger for the C which makes it easy. I'm trying to do this whole pattern at tempo 104.įirst time I play the pattern I only use first position. Finally I land on a sustained Bb on the first position. Two half notes followed by eight 16th notes. After this I play a pattern of alternating Bb's and C's. I dont move the slide, I only use my lips to change between these notes. I start on a lipped Bb and then I raise a semitone to the normal B in seventh position. Then I play the same two notes using only the seventh position. I'm starting on the trigger and play two normal notes Bb-B (I use T3-T2 on the trigger). I decided to use this horn anyway so you could compare the "factitious-notes-pattern" and "lipped-notes-pattern" to the normal way of using the F-valve to play fast passages like this. An example almost as the one above.Īs you can see I have a F-valve so I really do not have to do this on this horn. Here you can watch a video where I show how I practice the Bb on fake positions. Most common position for every note within the normal register wich is also good information. This is a link to another position-chart, but this one does not show the complete set of alternate positions. Low notes are especiallyĭifficult on a small trombone with a small mouthpiece and certainly not for an intermediate player with this equipment. The G is a lot moreĭifficult than the Ab just above and therefore is not usually demanded of an intermediate player. The internet all over.This chart (below) covers the common register on the tenor trombone and is what is demanded of an intermediate tromboneplayer with exception of the lowest note (G) in the fourth position in this diagram. I have also added a chart covering the high register further down on the page for the player who has searched I will add a more complete chart later with this information. There are some general rules about adjustments though. The correction depends on the instrument, the mouthpiece, the one playing and the I should add that there are no fixed positions on the trombone so there have to be small adjustments done The Ab on first position is avoided as it is not possible to play in 1) I add this position chart for the ones that need them.
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